Now a busy actor in many Vancouver-lensed projects like Supernatural, Travelers, and Chesapeake Shores, Jerry Trimble spoke to us about his unique career and inspirational journey.

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Can you start by telling us about what you’re working on these days?  

First off, I want to thank you for the interview. Much obliged. It’s always nice to get to share my story and experience with others. Hope your audience gets something out of it.

2017 was a fantastic year for me.  Hope it was for you as well. I am so blessed to be able to do what I do.

Last month I wrapped a film called Rabbit directed by Jesse James Miller, coordinated by Ernest Jackson and starring Derek Hamilton. What a blast it was.  I got to do acting and fighting.  My two favorite things to do on film.

I recently guest starred on a Matt Damon Netflix project, The Green Beret’s Guide to Surviving the Apocalypse, created by military veterans: Shawn Vance, a former U.S. Special Forces Green Beret, and Daril Fannin, an ex-combat medic in the U.S. Army. These guys were so awesome to work with, they are the real deal. I was in the season finale, and it was fun times kicking the crap out of zombies and saving the world. This is a unique and entertaining series to watch, coming out this year, and directed by Adam Newacheck. I also got to do acting and fighting on this one, too.  Fun times, living the dream.

I did a supporting role on Travelers playing a pedophile football coach – a real creepy character – directed by the amazingly talented Amanda Tapping.

I’ve got a recurring role on the Hallmark series, Chesapeake Shores, playing the role of Mark Hall, a Nashville music producer to the star of the show, Jesse Metcalfe. It’s a fabulous role. The character was only supposed to be in one episode, but the producer Dan Paulson said they liked what I did with the character so much that they had to bring me back. I’m feeling pretty blessed to be a part of such a fantastic show.

I did a guest appearance on Supernatural, playing Ramiel, Prince of Hell. Season 12 episode 12 – “Stuck in the Middle with You”. Directed by Richard Speight, Jr.  Loved this character.  Got to do acting and fighting on this one, too.

I’m also doing some writing with my father-in-law, Micky Dolenz (The Monkees). We’ve got a couple of projects we’re working on together; We’re hoping to get one of them off the ground this year – a live action/animation screenplay, Socrates. It’s a strong, entertaining story with a powerful message. Very excited about this one. Fingers crossed.

Lately, I’ve been traveling around the US and Canada speaking to teens as well as adults in prison and detention centers on overcoming struggles, discovering your gifts, and using them to create your reality. I’m writing a book on growing into your best you. I’ve also been training private clients in Vancouver, teaching, martial arts, kickboxing, boxing, for film and self-defense. I love teaching and empowering others.

Lots of good stuff in the works for this year.

How did you first get involved in the industry?

My background in the entertainment industry started out in the ring as a professional fighter. I fought under the name “Golden Boy” and went on to win numerous titles that included the Kentucky, Georgia, Southeast, U.S. and two World Championships. In 1990, I retired as a two-time World Kickboxing Champion. I sold everything I owned and moved to Los Angeles, California to pursue a career as an actor. Within the first few months, I got an agent and booked my first two auditions as the lead villain; my first role was playing Jet Li’s nemesis in The Master directed by Tsui Hark. I’ve been blessed enough to be working ever since. It’s been a great ride, and it’s getting better every year.

Based on your successful background in kickboxing, you can speak from a unique perspective about fight scenes in film and television. What are the keys to creating an effective fight scene on camera?

Besides the obvious, having a great team and a clear collaboration with the cast and crew, stunt coordinator, stuntmen, and stuntwomen, you’ve got to know your craft inside and out.

A fight scene is like a story; you have to be fully engaged in it from start to finish. Instead of just going through the movements, the choreography, you have to be aware every moment of the action. When you’re not throwing punches, kicks, or being hit, you have to be aware of everything – your reactions, breathing, timing, movements, intention, continuity of action, acting, your character, being safe, self-control, etc. It can be dangerous if you aren’t fully in the moment. You’re not just talking as an actor – you’re throwing down and it has to look real or else it looks bad.

For me, doing dialogue and fighting are my favorites to do. I get to do the best of both worlds.

What’s the biggest misconception about fight scenes?  

That they’re easy and anyone can do them. A lot is going on in a fight scene. The performance has to be spot on at all times. There’s a specific flow of action you’ll have when doing a beautiful fight scene. It’s like poetry in motion. Action acting is an art.

Recommended Reading You Can Act On Camera Click a cover for more details The Art of Voice Acting Secrets of Screen Acting Recommended Reading You Can Act On Camera Click a cover for more details The Art of Voice Acting Secrets of Screen Acting

What’s the worst injury that you’ve ever had as an actor and stunt performer?  

Besides the normal bumps and bruises, aches and pains that are part of it all, in 2009 I was working on a reality TV series called The Colony. I did four episodes, playing a Marauder. During a big action scene, I got stabbed with the edge of a broken pipe and gashed my forearm. We didn’t stop the action and kept going; blood was squirting out. It looked great cause it was real, but the director saw it and yelled, “Cut!”

I went to the hospital and got 15 stitches. It was all good. It happens. It’s the nature of the beast.

You’ve worked out of Los Angeles and Vancouver. How would you compare these two cities as far as their respective film and television industries?  

Vancouver seems to me a more of a tight-knit community.  Obviously, it’s not as big as Los Angeles, so you know a lot of the same cast and crew on set which makes it more like one big family.  Everyone knows everyone and gets along.  The synergy works wonders when doing long hours. Vancouver has such a cool vibe and energy about it.  The people are amazing.  I love Vancouver.

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“The entertainment business is one of the toughest careers to do; it’s not all glamour and glory. You have to keep working on yourself, your body, mind, and spirit. Stay away from negative people.”
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What’s the biggest professional challenge you’ve experienced and how did you overcome it?    

Getting out of my way. I started doing the work and learned to not give a shit what others think about me. If you do the work and prepare, everything will be fine. You don’t get ready; you stay ready. What you put out, you get back.

The entertainment business is one of the toughest careers to do; it’s not all glamour and glory. You have to keep working on yourself, your body, mind, and spirit. Stay away from negative people.

Practice “The Four Agreements” – a fantastic book by Don Miguel Ruiz.

1. Do your best.
2. Don’t take anything personally.  (This is a big one in this business.)
3. Don’t assume anything.  (Another big one.)
4. Have an impeccable word.

Skies the limit if you put the work in it. The comfort zone’s a beautiful place, but nothing ever grows there. DO THE WORK!

What’s the most important thing you’ve learned in your career?

Stay busy. Temptations come about and if you’re not careful, they will steer you away from your goals and dreams in your career and life. The idle mind is the playground of the Devil. Keep learning. Keep growing. Try new things. Help others. Be kind. Enjoy the ride. Be positive. Share your experiences to help others. Work on you every day. The more you know who you are, the better every character will come out on screen, and your performances will shine through.

What acting-related books and authors have been influential in your career so far?  

Some are The Real Life Actor by Jeff Seymour, Dreams into Action by Milton Katselas, Respect for Acting by Uta Hagen, The Art of Acting by Stella Adler. There are so many out there that are good. You have to find what works for you.

Where can we find out more about you online?

My website is JerryTrimble.com. My speaking website, TrimbleTalks.com is being remodeled and hopefully will be up soon. You can always Google me to find out more about my history in the martial arts, work in films, speaking, etc.

Thanks again, Create an awesome 2018.

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Thanks to Jerry Trimble for speaking with us!

The post The Biz Interview: Jerry Trimble appeared first on Biz Books.

With popular series TV projects like Supergirl, The 100, Supernatural, Bates Motel and the 2018 Netflix series Altered Carbon among her career highlights, we talked with Lisa Chandler to find out more about the stunt world and her current evolution from stunt performer to actor.

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Can you start by telling us a little bit about you and how your career in stunt work and acting got started?

I first started off acting here and there in plays when I was a kid and in high school not really knowing at the time what ‘stunts’ were. It wasn’t until I was in college playing hockey that a local film was being shot and they needed a stunt double (goaltender).  Years later when I moved from Toronto to Vancouver and I was working every job I could to get into film, I was standing-in on a feature for the lead actress and noticed the stunt department and started asking them questions. That year, I got asked to perform a small stunt for the same actress and was ecstatic! I whipped up a resume constructed of every athletic certificate, ability and class I have ever taken and dove headfirst into the field. I knew in a moment that that was what I truly wanted to do and I haven’t looked back since.

What would be your advice for anyone who wants to pursue a stunt career?

Do your research! Look up other stunt women/men professionals and see what their background is and see if you can see yourself in their shoes. It may look ‘badass’ and ‘awesome’ and ‘glamorous’ but behind every stage there’s a curtain full of hard rehearsals and a ton of training. Use the internet as well! There are a ton of sites now that offer loads of information for people (young and older) who are interested to head in that direction.

What’s the biggest misconception about stunt work?

That we get to keep the clothes after a stunt. Seriously, people ask me that.

Recommended Reading You Can Act On Camera Click a cover for more details The Art of Voice Acting Secrets of Screen Acting Recommended Reading You Can Act On Camera Click a cover for more details The Art of Voice Acting Secrets of Screen Acting

What are the keys to an effective movie or television stunt sequence?

Taking your time working out the kinks with your scene partner beforehand – or if solo, rehearsing it over and over and over again. When performing the stunt slowly at first and building up speed, you and your partner are gaining confidence in your moves as well as working with the cameramen in knowing your angles and speed factor. ‘Taking my time’ is a huge tool for me that has helped me out in so many ways!

What is the most impressive stunt that you’ve seen and what’s the most impressive one that you’ve participated in?

There are so many impressive ones out there. A good friend of mine, Janene Carleton, is a badass stunt veteran. She performed a jump onto a moving truck at a high speed rate that was insanely impressive! There are so many stunt women and men out there that are so talented in physically setting the bar higher and higher with time that just blows my mind. For example, American Ninja Warrior Jessie Graff (whom I had the pleasure working with on Supergirl) is just crushing it in the obstacle course scene! Some stunts that I’ve performed may not seem ‘crazy’ to the eye, but sometimes we perform stunts that are calculated to a tee that can either go smoothly, or have the stunt fail. For example, I had to perform a freefall stunt dropping over 15 feet into a very tight space landing on my back on a pad with wood boards measured beside me(think dropping high up into a tight coffin). If I moved my arms out of my range an inch while dropping I could have broken both elbows or smashed both forearms. It went smoothly thank God, but the specifics the stunt coordinators and stunt riggers help design are very important and impressive to say the least when having it done right and safe.

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“I want to be known as ‘Lisa Chandler’, the ‘action woman’ who acts and performs her own stunts.”

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You’ve done more acting recently to go along with stunt work. What has this transition been like and do you want to be known primarily as an actor moving forward?

I’m still in the ‘transition stage’ and it’s interesting. There are certain casting directors out there that know me strictly from my stunt work and being able to perform stunt actor roles and there are others out there that I’m sure don’t even know I do stunts as they have only seen me for my acting abilities. It’s no secret that I do both and l love both sides, but it’s finding the balance out there in terms of casting directors, my relationships with them and reading roles that are right for my ‘brand’. I want to be known as ‘Lisa Chandler’, the ‘action woman’ who acts and performs her own stunts. That’s mainly my goal at this moment and focusing on me and my ‘brand’.

Are there any books that have helped you as an actor?

Reading full feature scripts (even if I’m not acting in them) to understand more about story structure and characters has really helped me as an actor. I was doing a challenge reading two plays a month which was great on my time off. Loved it!  AMAW founder Anthony Meindl has a book called, Book The F**King Job and Ingrid Torrance has a great book called ACT which is fantastic for anyone new into the business or ‘kind of in’ and you want to explore more of the business.

One of your upcoming acting projects is Altered Carbon on Netflix. What can you share about this project?

Where do I begin with this show… well, it’s insane for starters! I’ve never been on such a high production value show like this before. My character is pretty unique and it was so interesting to film it. As it’s still in post production for Netflix, I have to be hush hush but if you have read the book (read it by the way, it’ll blow your mind!) you’ll know the world that Richard Morgan has created. Then add a ton of money in developing the show as well as having multiple creative geniuses in the making of it and you get a mind-blowing show! Whenever I would go to set, I would walk through the studios and see the sets, costumes and props and was thinking ‘soak this in girl cause this is gonna be huge and you’re in the making of it!’.

Where can people find out more about you online?

Instagram: @Lisa_Chandler_

Twitter: @Lisa__Chandler

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Thanks to Lisa Chandler for speaking with us!

Watch for more news on Altered Carbon from Netflix in the months ahead.

The post The Biz Interview: Lisa Chandler appeared first on Biz Books.

What’s it like to star in a short film that’s completed in only 8 days?

We rounded up a talented bunch of thespians – Lee Shorten, Alex Barima, Jerome Yoo, Lorne Cardinal, Brad Duffy, Denise Jones, Lee Majdoub, Scott McGrath, Brendan Taylor, Darien Provost, and Peter New – to talk to us about their experiences in this year’s Crazy8s films.

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Lee Shorten of Anh Hung

Can you start by telling us a little bit about you and the Crazy8s film you are acting in?

I’m Lee Shorten. I’m a former lawyer from Australia and I’m playing Tuan in Anh Hung. Anh Hung is this great coming of age story that centers on a Vietnamese Canadian family. I don’t want to give too much away but it’s inspired by actual events and offers a snapshot of the Vietnamese Canadian immigrant experience. 

What kinds of preparation did you do to get into the role?

I read as much as I could about Vietnamese culture. I also looked into Taoism and researched Vietnamese gang life and gang culture. I managed to track down some old interviews with Vietnamese Canadian immigrants and gang members which was really helpful in rounding out my understanding of that experience, books can be a little clinical sometimes. I was insanely lucky in that I got to grab dinner with the guy my character is based on and he was incredibly generous with his time and insight. I also worked with him on the accent and learnt a little Vietnamese as well. I tried to prep as much as possible, but sadly 8 days is not a lot of time.

What was the most memorable moment for you in this production?

No one thing per se. But it was Athena Ho’s, who plays Jenny (my character’s sister), first role. So just watching her grow over the 3 days was really wonderful and I’m honoured to be a small part of her journey.

What would your advice be for actors who become part of a Crazy8s film in the future? 

Accept the nature of the challenge. You only have 3 days to shoot, so do as much prep as you can and come to set with as many ideas as you can. But when you get there, be willing to compromise and be willing to play. The pace is fast and the work is challenging for all involved. You might only get a single take, just roll with it.

What’s the most valuable lesson you’ve learned in your career thus far?

If (and only if) you have done the work, then trust your instincts and don’t be afraid to voice your opinion. You’re not always going to be right but some of the best moments are born from conflict and compromise. The director should have the best grasp of the overall story but you should have the most in depth understanding of your character. But again, I can’t stress enough, you might not always be right but it’s usually worth a conversation. 

Recommended Reading You Can Act On Camera Click a cover for more details The Art of Voice Acting Secrets of Screen Acting Recommended Reading You Can Act On Camera Click a cover for more details The Art of Voice Acting Secrets of Screen Acting

What books have been important for you as an actor so far in your career? 

Oh man, tough question, there have been so many! The Art of Acting by Stella Adler, True and False by David Mamet, Stanley Kubrick: Interviews by Laurence Knapp, A Life in Parts by Bryan Cranston and The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje.

What other projects are you working on and where can we find out more about you?

You can catch me as Sergeant Yoshida on Ridley Scott’s The Man in the High Castle and sometimes I hang out with Crowley on The CW’s Supernatural as well. If you really want to find out more about me, I guess you could follow me on Twitter @lcshorten.

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Alex Barima and Jerome Yoo of Cypher

Can you start by telling us a little bit about you and the Crazy8s film you are acting in?

Alex Barima: My name is Alex Barima. I’m originally from Montreal, and I’ve been acting in Vancouver for the last 5 years. In Cypher, I play the role of Thello, the young rival of protagonist Jay. Our two characters resolve their personal issues through their connection to hip hop in the late 90’s.

Jerome Yoo: My name is Jerome Yoo and I’m an actor/writer. Prior, I was a Science student at UBC before I decided to pursue acting full-time. I’m a part of this year’s Crazy8s film Cypher and play the role of Jay, the timid Korean high schooler trying to deal with the lingering tensions between the Korean and African-Americans, 5 years after the LA riots. Entranced by the rap legends of his day, he finds himself drawn to LA’s underground rap scene where he must find the resolve to step up and confront his past to hopefully bridge the misunderstandings between the two communities.

What kinds of preparation did you do to get into the role? 

Alex Barima: We had a few rehearsals before the shoot with Lawrence, our director, to build and explore each character.

Jerome Yoo: Rapping. A lot of rapping. I watched an unhealthy amount of battle videos on Youtube, and spent hours in front of a mirror rapping along to Hip Hop greats. I also tried to write a verse everyday. Here’s one: Yo, I’m a savant, working in a restaurant. Here’s your croissant, so can I have your number, nonchalant? Worst pick-up line ever, haha…

What was the most memorable moment for you in this production?

Alex Barima: Filming the last scene was an experience I’ll never forget; it happened to be the last scene of the shoot, and everyone there gave it everything they had. 

Jerome Yoo: So many! I think I shed some manly tears when our DP, Leo Harim, pulled me aside and told me the entire crew had my back on the first day. It meant a lot to me. Our director Lawrence Le Lam announcing that I booked the role of Jay at our first production meeting was also a pretty sweet moment. 

What would your advice be for actors who become part of a Crazy8s film in the future?

Alex Barima: Bring a lot of care and dedication to your work because it’s all that holds these projects together, and they are definitely worth it. 

Jerome Yoo: Do another hour of table work and analysis! I wish I had another hour…

What’s the valuable lesson you’ve learned in your career thus far?

Alex Barima: To never take for granted what I accomplish in this business, and always keep looking ahead. 

Jerome Yoo: Don’t eat chili on set and use the restroom while your lav mic is on.

What books have been important for you as an actor so far in your career?

Alex Barima: Unfortunately I’m not much of a reader. 

Jerome Yoo: One Piece. 

What other projects are you working on and where can we find out more about you?

Alex Barima: I’m currently doing Voice Over work for an animated Netflix series. You can follow me on Facebook or IMDB.

Jerome Yoo: Back to the drawing board for me! Find me on social media @jeromeoyoo.

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Lorne Cardinal, Brad Duffy, and Denise Jones of No Reservations

Lorne Cardinal’s Photo Credit: Shimon

Can you start by telling us a little bit about you and the Crazy8s film you are acting in?

Lorne Cardinal: No Reservations is a comedic spin on the pipeline issues happening across the country today. A what if…story.

Brad Duffy: I’m a Vancouver-based actor who moved here from Alberta about six years ago to transition my acting career into more of a film focus. I’ve seen Trevor Carroll (the director) in the casting room for years but this is the first time I’ve been able to work with him personally.  He’s a pretty cool dude, for the record. I also do a lot of improv around the city.  No Reservations is a satirical take on the pipeline issues we’ve been having in BC, but has broader relevance.  I’d say it’s funny enough to be entertaining, while true enough to be poignant.

Denise Jones: My name is Denise Jones. I am a stage and film performer in Vancouver and the current Artistic Director of Vancouver TheatreSports League. I play the role of Marilyn Whiteman in No Reservations. It’s a fun satirical take on current pipeline protests.

What kinds of preparation did you do to get into the role?

Lorne Cardinal: Just read the script a lot, looking for rhythms & places where setups and payoffs can happen. Also being familiar with the story to allow for spontaneity and improvisation to happen.

Brad Duffy: The preparation was pretty standard: memorize the lines, look up what the material was referencing, and try to figure out the tone it’s going for.  We had a meeting where Trevor talked us through some of the beats where he needed something specific.

Denise Jones: I had been an avid watcher of the coverage of the protests at Standing Rock, so was pretty in the loop on the material. As far as prep for the role, I showed up ready to play. The cast assembled was so funny and talented it was so fun and easy to step into.

What was the most memorable moment for you in this production?

Lorne Cardinal: Seeing people I’ve worked with before and feeling welcomed into a highly dedicated group of creative beings. All I had to do was not screw up.

Brad Duffy: The most memorable moment was probably hitting Lorne Cardinal in the face with a beach ball; there he is being so professional, and my mind is just saying, “please beach ball, don’t make this guy get hit in the face 17 times, fly true.”  I’ll also remember Denise Jones cracking me up all weekend.

Denise Jones: We were shooting an idyllic look at the main married couple’s lives when out of nowhere a massive rainbow appeared and the whole cast hustled to move the entire camera set-up and video village to  accommodate it. It was insane.

What would your advice be for actors who become part of a Crazy8s film in the future?

Lorne Cardinal: Don’t stray too far from set, save your energy when not working and nap when you can.

Brad Duffy: Just come ready to work, and to enjoy the work.

Denise Jones: Come prepared for anything. Know your lines backwards and forwards as time is VERY VERY limited. Know that it’s going to be a great time as awesome things happen under pressure.

What’s the valuable lesson you’ve learned in your career thus far?

Lorne Cardinal: Always be learning from everyone and respectful to who you’re working with, especially crew members.

Brad Duffy: “The irony of commitment is that it’s deeply liberating — in work, in play, in love. The act frees you from the tyranny of your internal critic, from the fear that likes to dress itself up and parade around like rational hesitation. To commit is to remove your head as the barrier to your life.” – Anne Morris

This quote really helped me.  I’ve also learned how to let go after auditions better than I used to, which is largely due to repetition, (and maybe that Bryan Cranston on acting video you should look up).

Denise Jones: Don’t be an asshole.

What books have been important for you as an actor so far in your career?

Lorne Cardinal: The works of William Shakespeare. He shows what the power of words can do.

Brad Duffy: Impro for Storytellers by Keith Johnstone first ignited my passion for improv which has heavily influenced my career.  You Are Not So Smart by David McRaney helped me get ahold of my ego.  Books and graphic novels by Neil Gaiman have also been instrumental in keeping me filled with a sense of wonder and possibility: a necessary tool for any actor I would say.

Denise Jones: The Power of Now by Eckhart Tolle.

What other projects are you working on and where can we find out more about you?

Lorne Cardinal: Currently working on Corner Gas animated series, the never-ending auditions and looking forward to the releasing of a few projects I’ve been working on, should happen very soon. Find our more at facebook.com/lornecardinal or lornecardinal.com.

Brad Duffy: Right now you can regularly see me performing in various improv shows throughout the city, primarily with Instant Theatre, the Rookie League at Vancouver Theatresports, and Sin Peaks the Improvised Soap Opera opening up at the Revue Stage on March 7th.  I have a fan page on Facebook, “Bradley Duffy”, where I regularly post about my film and TV projects, but should probably work on a website.  Thanks for reminding me!

Denise Jones: I am currently directing an improvised stage production called Western World at Vancouver TheatreSports League. Check me out at www.vtsl.com or IMDB!

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Lee Majdoub, Scott McGrath, and Brendan Taylor of The Prince

Can you start by telling us a little bit about you and the Crazy8s film you are acting in?

Lee Majdoub: Hi, my name is Lee Majdoub, and I play Amir in The Prince. The film tackles Islamophobia and what it means to be Middle Eastern-Canadian.

Scott McGrath: The film I’m in is titled The Prince, and it’s about a young dancer and her Uncle dealing with what it’s like to be Middle Eastern post 9/11.  It struck a cord with me as an actor because I feel as an actor it’s important to be truly connected with yourself and the characters we play.  It’s my job as an actor to affect change and push if necessary current issues to the front line even if these issues are difficult to discuss or view.   Films and events like Crazy 8’s allow us to stop and reflect on the choices, opinions we have currently and hopefully create an outlet to make things better.

Brendan Taylor: The Prince deals with a young Muslim man and his dream of being actor, but facing challenges of racial and religious stereotypes in this modern world. He and his family have an encounter on a bus with an intolerant person and he has to decide how to react to him.

What kinds of preparation did you do to get into the role?

Scott McGrath: Well, because of the serious nature of the film it was hard not to feel compassion for the lead but the important thing for my scene was to be light natural and not think anything I was saying was offensive or inappropriate . Just everyday set talk between costumer and actor.

Brendan Taylor: I play the role of the instigator on the bus. It’s important to try to understand the perspective of someone who is intolerant or openly racist, that it comes from a place of fear or ignorance. Then, we as humans portray all kinds of behaviour to cover that up, often resulting in anger and frustration. I explored the many ways this person could have acted towards this family.

What was the most memorable moment for you in this production?

Lee Majdoub: It’s hard to whittle down this project into one most memorable moment. So many people came together and volunteered their time to tell a story they believed in… that they felt needed to be told. That, to me, is most memorable as a whole. So much work was put into The Prince, from all sides of film-making. It was inspiring.

Scott McGrath: The joy I felt in the trailer prior to our scene where everyone of many different ethnicities were laughing and truly enjoying each other’s company.  Non-competitive,  non-judgemental, a genuine spirit of love and support.  This support was across the board from the producers Danielle Stott-Roy and Robin Nielsen, the Director Kyra Zagorsky (who I learned much from) and all the cast from make to wardrobe and everyone I encountered that day on set.

Brendan Taylor: Well, to be honest, amidst the seriousness of the storyline, there were many lighter moments, that were necessary to break the tension: one of them being, I was sitting in my seat on the bus drinking water, and I went to get up, and being a taller man I often bump my head (I don’t fit on buses to begin with), and I bumped my head on the roof handrail, with a mouthful of water. It squirted out like a super-soaker on an unlucky background actor! 

What would your advice be for actors who become part of a Crazy8s film in the future?

Scott McGrath: Savor every moment and realize your part of something magical. Be grateful and enjoy the ride!

Brendan Taylor: Follow the Crazy8s, get involved, go to readings, contact the filmmakers, and even submit a pitch yourself! 

What’s the valuable lesson you’ve learned in your career thus far?

Lee Majdoub: A valuable lesson I’ve learned in my career so far? That’s a tough one to answer. There are so many. I would say learning to let go of control is a huge lesson. There are so many things I’m not in control of in life… and career. All I can do is work hard and be ready for every opportunity that comes my way.

Scott McGrath: I believe it’s important to have wonderful, harmonious relationships with the people we encounter, where on both sides there is caring and mutual respect.  I believe it’s important to let my heart be open so that. Have space within me to grow learn and give back unconditionally.

Brendan Taylor: Definitely persistence. I’m fortunate to say this is my main source of income right now, but it was not a smooth road. So many reasons to give up along the way. But I always train, or do a play, or do something to keep my art alive. But it’s what I love doing, and that’s a good test. You have to love it undeniably. 

What books have been important for you as an actor so far in your career?

Lee Majdoub: I’ve found a lot of books that have nothing to do with acting have helped me on this journey. I think living life and learning as much about oneself as possible is the greatest thing you can do for your acting. I’ll list a few that have helped along the way and no two are similar.

The Prophet by Kahlil Gibran

The Crossroads of Should and Must by Elle Luna

Notes to an Actor by Ron Marasco – I really recommend this one if you want a book on acting. It’s very different from other acting books.

Love Anthony by Lisa Genova – personally, a tearjerker. 

Scott McGrath: By far the greatest tool I have used is a marvelous toolbook titled AuditionCraft For Film & TV – The Craft, The Mastery, The Reality By Linda Darlow.

Best advice … “Keep stretching and growing, and remember to always be willing to learn, no matter how often you work, or how long you’ve been in the business”.

Brendan Taylor: Uta Hagen’s Respect for Acting, Sanford Meisner’s On Acting. Learn from the greats. Start there. And watch, read, or listen to interviews and biographies to be inspired.

What other projects are you working on and where can we find out more about you?

Lee Majdoub: I’ll be appearing in a few episodes of the new season of Prison Break, which begins airing in April.

And, I start work on the third season of Zoo very soon.

Scott McGrath: Other projects I am part of is the new web series “Inconceivable” where I get to play the Step Dad Terry in a wonderful new comedy.  Check it out – http://www.facebook.com/thisisaspoon/

I also have been fortunate enough to be part of some fun Music Videos:

Check out Hey Ocean’s “Make a new Dance Up”

A Wallace – “Shake it Out”

And lastly, my website where I get to play my favourite character… SANTA with my Elf Spandy Andy: www.hireanelf.com

Brendan Taylor: Currently about to shoot another short film called Pearly Nights, and I have an episode of The Magicians airing March 29th! You can follow me on Twitter and Instagram check out brendan-taylor.com for past work! 

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Darien Provost of The Undertaker’s Son

Can you start by telling us a little bit about you and the Crazy8s film you are acting in? 

My name is Darien Provost, I’m sixteen years old. I have been acting since I was four years old. I have done various TV shows and Movies but my role as Christopher in The Undertaker’s Son is one of my favourites. The cast and crew were amazing. The set and script made my job much easier due to the realism.

What kinds of preparation did you do to get into the role? 

I would talk to my fellow actors and rehearse lines. I’ve always found it useful to listen to music and read over the script. It helps me get into character.

What was the most memorable moment for you in this production?

The most memorable moment for me was on the last day when we shot the opening scene for the film. I loved watching all the components of the set come together to make for an amazing scene.

What would your advice be for actors who become part of a Crazy8s film in the future?

My advice for actors who become part of a Crazy8s film is to show up with your lines fully prepared and practice being able to get into character quickly. There is not much time to spare on these shoots so it is important that everything moves smoothly.

What’s the valuable lesson you’ve learned in your career thus far?

The most valuable lesson I have learnt in my career so far is don’t pretend to be the character. You must become the character and add your own personal twist.

What books have been important for you as an actor so far in your career?

The most important book I have read so far is No Acting Please by Eric Morris. The book teaches you to be present in the moment rather than mechanically act.

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Peter New of Woodman

Can you start by telling us a little bit about you and the Crazy8s film you are acting in?

My name is Peter New and I played the Woodman in the film Woodman.

What kinds of preparation did you do to get into the role?

I had a 3.5 hour long makeup application in the morning which was a useful time to gradually purge my silliness. The more our talented makeup team applied layers, the more trapped I felt, which is exactly the state the character lives in. By the time they were done I felt transformed.

What was the most memorable moment for you in this production?

There are so many memorable moments to choose from! I think I’ll never forget being on set, with my prosthetic nose being supported by three people, prop shears, fishing line  and a great deal of hope that it won’t collapse into its three component pieces between ‘frame’ and ‘action.’

What would your advice be for actors who become part of a Crazy8s film in the future?

Don’t write yourself into a part that traps you under a heavy typewriter while attaching your face to a 600ft tube thus pinning you to a chair and restricting your movement for hours and then drink many coffees because your makeup call is at 5:30 am. It’s a smidge uncomfortable (but 100% worth it).

What’s the valuable lesson you’ve learned in your career thus far?

Keep moving, keep doing. There’s no value in fame, only in work.

What books have been important for you as an actor so far in your career?

True and False: A Practical Handbook for the Actor by David Mamet.

What other projects are you working on and where can we find out more about you?

I’m a voice on My Little Pony: Friendship is Magic. Find me on Twitter @actorpeternew and on Facebook and Instagram.

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Thanks to Lee Shorten, Alex Barima, Jerome Yoo, Lorne Cardinal, Brad Duffy, Denise Jones, Lee Majdoub, Scott McGrath, Brendan Taylor, Darien Provost, and Peter New.

You can see all them on screen at the Crazy8s 2017 Gala on Saturday, Feb 25^th. For ticket information please visit Crazy8s.film!

The post The Biz Interview: Crazy8s 2017 Actors appeared first on Biz Books.

We spoke with William B. Davis to get his insights into Where There’s Smoke … Musings of a Cigarette Smoking Man and the various musings that we can expect to see.

Can you walk us through the process of writing this book – from the early stages to publishing? Why was now the right time to make it happen?

To write a memoir one has to be a certain age; old enough to have a story to tell and not too old to tell it. Early seventies seemed about right.

I had often thought about writing a memoir, my idiosyncratic background surely of interest to aficionados of Canadian theatre if no one else. It was Jerry Wasserman from UBC who first suggested it and directed me to Fred Euringer’s memoir, A Fly on the Curtain, that dealt with a similar period from my early life, summer stock and University of Toronto in the late fifties. I also read my friend David Helwig’s memoir, The Names of Things, also about the same period.

Would the book be about early Canadian theatre or about my life as a late blooming celebrity? I decided on both. And added my life in the British theatre in the dynamic sixties.

Not only is the book a history of theatre and film, it is also a social history spanning the early postwar period to the present. And I am far too candid about my personal life.

Of course my X-Files experience is important and has many fans, but equally important was the light I could shed on the development of theatre in Canada.

In the book, you discuss how chance factors into the career of any actor. What can today’s actors do to increase their “luck” in the hopes of having a more successful career?

I suppose I should suggest all those things I hate doing and rarely do. Going to the right parties, meeting the right people. Being a first rate actor is all that you can control. Whether you are the right size or look is out of your control.

What kinds of discoveries can your fans expect to learn about you from reading this book that they might not know already?

Few fans of The X-Files, few producers of The X-Files, were aware of my long career in Canadian and British theatre. They will learn more of my personal life than I should have revealed. And they will learn of my personal history with the show and my thoughts about it.

You mention that Bill Davis has had many different lives. What are the accomplishments that you are most proud of as an actor and also as a person?

I am proud of my early career as something of a boy wonder in the theatre – as a director, not an actor.

I am proud and surprised to have become a successful actor, a career path I had abandoned in favour of directing when I was 20.

My short film, which I wrote, directed, and performed in, Packing Up, is still especially meaningful for me.

Founding The William Davis Centre for Actors’ Study in 1993 which continues to this day.

I am pretty pleased that at age 74 I can still climb the Grouse Grind and water ski competitively.

How influential do you feel that The X-Files was for science fiction, television, and also the Vancouver film and TV industry?

No doubt the success of The X-Files has brought attention to Vancouver as a location for science fiction projects. Many have followed, notably Supernatural and Fringe and more recently, Continuum.

How do you handle the challenge of being closely tied to one character without being typecast? What steps can actors take to avoid that and what can they do to also further their enjoyment of playing the same character on a regular basis?

Of course I am typecast sometimes. But I’m fine with that. Fortunately I am quite a different person than the character I played on X-Files so frequently I play very different roles. I don’t know how one deals with playing the same character for hundreds of episodes – I only did 35 episodes of X-Files. For me the character kept changing in subtle ways and deepening.

What’s the best advice you’ve been given in your career and what’s the most important thing from your own experience that would share with today’s actors?

On my first day as an acting student at LAMDA in London, the principal told us all to be happy, to accept that we had talent or we wouldn’t be there, and allow our work to grow. For me, beating young actors into submission is to risk destroying their talent to say nothing of debasing them as people. Talent is to be nurtured like a plant, provided with nutrients and a healthy environment. If you pull it out of the ground every week to see how it is doing you will surely kill it.

You’ve been acting at many different points in your life and have been able to witness a lot of different actors come and go throughout the industry. Which actors really stood out for you in your earlier years and which ones impress you with their work now? From your vantage point, what are the elements that make someone a legitimate talent?

There were many actors in my early years, Michael Redgrave, Joan Plowright, Paul Newman, Geraldine Page, Albert Finney. Now, Ian McKellen, Judi Dench, Anthony Hopkins.

Is there a difference between a talent and an actor? There are many film actors with amazing talent but limited to a narrow range of film and television work. To be a major star one needs training and experience in both theatre and film.

But any actor must be able to put herself in imagined circumstances and live truthfullu.

What books have been important to you throughout your career and were there any that inspired you when it came time to write your own?

I have read widely on subjects such as evolutionary biology and climate change that have influenced my thinking about life in general. I read many memoirs when I came to write mine. Peter Hall, Judi Dench, Amelia Hall, and Fred’s and David’s mentioned above. I read Christopher Plummer’s and William Shatner’s but felt I wanted to write a different kind of book.

Theatre books – Larry Moss, Hart, Uta Hagen, and, of course, Constantin Stanislavski.

What other projects are you involved in right now?

I have a small but key role in the new series Continuum. Tall Man will be released at the end of August. I shot a new Steve Austin action movie, The Package, and a low budget science fiction feature, The Singularity Principle. A lovely docudrama, The Mountain Runners has just been released. I am looking at other writing projects, a new book on acting and a new translation of Feydeau. And some directing projects are being discussed for 2013.

Where There’s Smoke … Musings of a Cigarette Smoking Man is available for purchase at WilliamBDavis.com.

The post The Biz Interview: William B. Davis for “Where There’s Smoke… Musings of a Cigarette Smoking Man” appeared first on Biz Books.